I f*cked up at work. Not devastatingly. Not enough to have serious repercussions on my life or my job (I hope!) I’m not going to share what I did, not because I’m ashamed, but because this is the internet and I don’t want to make a bad situation worse. But needless to say, I wrote something which royally pissed off a very respected client and source.

I think it’s great that at journalism school we’re taught about what we can’t broadcast, what we shouldn’t write, who we shouldn’t quote. It’s great that we graduate knowing exactly what happened in the case studies that make up our legal yesses and epic nos. But it doesn’t change the fact that when you’re working, there will come a time when you will read what you have written and either say “NO” and hit that delete button, or say “F*CK IT” and hit send/press print/open your mouth and start reading. Sometimes it pays off to take a gamble, and sometimes it doesn’t.

I felt terrible about the mistake I made this week, until I talked to some of my colleagues, and remembered stories I had been told by past colleagues and journalist friends. Then it got me thinking… A true, respectable career in journalism seems not so much pitted by these f*ck ups as paved by them. I’m not saying it’s good to repeatedly piss people off and alienate important clients, listeners, viewers, readers; but there’s an undeniable glint of pride which creeps into a seasoned journalist’s eye when they tell you about the time they had to take out an affidavit to ensure their back was covered with a slightly dubious source, or how relieved they subsequently were when their byline was dropped from the finished article.

I may not be willing to share the latest f*ck up of my progressing career as a journalist, but there are other stories. Seasoned readers of this blog will know of postal-worker-gate. That was probably the earliest… Then there was the time I wrote about a drugs bust, quoting (rather too heavily as it turned out) from the objecting onlookers rather than the police presence. A week later I was summoned up to the station for a ‘friendly chat’ with the chief inspector and sergeant. Terrifying. There were countless misquotes surrounding village shops and local committees. I recall popping into a farmers’ market, introducing myself to one of the stall-holders and then getting a rather stern telling-off from a member of the WI for some long-published discrepancy about coffee mornings or jam jars or something.

Then there were the emails. The lovely, sterile typefaces forming caustic judgements on your ability to listen, to recount, to talk, to tell… to write. I was told I ‘lowered the tone of the Gazette’ because in a reply email – yes, EMAIL, not published article – I used the word gotten. (I resisted the urge to point out my occasional lapse into this so-called ‘abhorrent Americanism’ was not in fact due to the influence of modern television on my language choices but the fact I’d had, until very recently, an American father) I’ve been told – sometimes nicely and sometimes not so – I’m not very bright. I’ve been told I’m a horrible writer.

There are other stories. The worst stories – the ones where there is no gleam in your eye or belly-rippling giggle under your words – are those mistakes that hit you like a punch in the gut. The blade gripped in your hand, cleaving an insouciant tattoo into your own back as you press send.

In July 2009 two teenagers and a nine-year-old boy died in a car crash in my reporting patch. I covered the story for the paper.A week later one of the victim’s family members came to see me in tears because of an implication taken from my recounting of the events. An implication that their boy had not been acting responsibly. When I realised what I’d done to them, the bottom dropped out of my world. It was a level of shitty feeling equal to finding out my dad had cancer. You don’t hear so many of those stories, but they are there, behind the tobacco stains and the fatty livers, lying at the root of what makes journalism a crappy job.

But, on balance, it’s those gleams and those stories – those indignant phone calls, impossibly stupid decisions made in those squeezingly-urgent moments of deadline – that makes the job balance out. Because, when it pays off, those f*ck ups can make you.